Monday, September 29, 2008
Wednesday, September 24, 2008
The Grand Opening
By Brian Mulligan at 1:01 PM 0 comments
Tuesday, September 23, 2008
Blog vs. Message Board
All this is probably just because I'm too lazy to continually update the site, but I am also looking at ways to keep up the conversation and keep the topics more up-to-date.
Let me know whichever you prefer, or if you even have a preference.
By Brian Mulligan at 2:27 PM 1 comments
Thursday, September 18, 2008
Tuesday, September 16, 2008
Quite Possibly the Worst DVD Cover of All-Time
Even for what I presume must be a no budget, direct-to-DVD dump this cover is horrendous. They cut the bird straight out of the shot, it's completely off-center, the font is dull and lifeless and not even Matthew Perry can muster more than an, "I can't believe my career has fallen this far since Friends" smirk.
Honest to God, I thought it was a nature channel production on first glance.
By Brian Mulligan at 3:41 PM 0 comments
Monday, September 15, 2008
Friday, September 12, 2008
Must See Movie of the Month: September 2008
This is the first time where many titles competed for the "Must See" distinction for the month. I could make a case for any one of my notables, especially Miracle at St. Anna (which I prophesized a Best Picture nom) and Choke, the first Chuck Palahniuk adaptation since Fincher's brilliant Fight Club. It's a good month for movies. A good lead in to the fall movie season... but I couldn't pass on last year's Best Director and Best Picture tandem, the Coen Brothers, back to their varied, usually hilarious, and slapsticky style with Burn After Reading. And with a cast as good as Clooney, Pitt, Malkovich, Jenkins, Simmons, McDormand and Swinton, who can blame me?
Who else wants to see it and what are your "must see's" of the month?
Other Notables:
By Brian Mulligan at 12:59 PM 0 comments
Tuesday, September 9, 2008
Traitor (Jeffrey Nachmanoff, 2008)
Struggling against itself and its own genre limitations, Traitor ends up ensnared in its own contradictions. It’s a confounding film, at once seeming to want to appeal to the viewer as both fresh and familiar. Traitor adheres to the formulas and sequences of well-established genres including the prisoner sequence, spy and action movie clichés, even the revenge storyline… but implanted in a politically current plot about a potential suicide bomber and attack on U.S. soil. That should have been relevant and hot topic enough to forego the usual by-the-numbers trappings, but there’s so much retread in the script, so much that’s been done before, that it leaves little hope for star Don Cheadle (himself a refreshing choice as an action star) to save it. Cheadle does his best Bourne imitation, quite convincingly coming across as the smartest man in the room, and even wills some of these set pieces into working far and away better than they should. But the film is submarined by its own unwillingness to take untraveled paths. Every action sequence has been done before, and better. Every relationship seems like repeats. In the end, it’s just all so uniquely… conventional.
By Brian Mulligan at 8:05 PM 0 comments
Thursday, September 4, 2008
Hellboy II: The Golden Army (Guillermo Del Toro, 2008)
A fluid continuation of the original, Hellboy II: The Golden Army sees director Guillermo Del Toro back reteaming with his hand-picked star Ron Perlman and the duo picking up where they left off in ‘04. Once again Hellboy is dealing with his lot in life and his ongoing role as savior of the human race, all the while being relegated to lurking amongst the shadows and avoiding human interaction. On top of which, Hellboy now has newfound relationship issues with his girlfriend, the fire-starter Liz. The tone, atmosphere and expert craftsmanship of Del Toro are plainly visible – even if some of these creatures tend to resemble Pan’s Labyrinth rejects – but the storyline is a bit of a letdown, leaving Hellboy toiling away at issues he already dealt with in the first. The story leaves little room for the character to grow and while the action is extremely well orchestrated, the heart of Hellboy II lies in scenes such as the one where Hellboy’s laying around with Abe, ruminating on his love life and public image with a beer in hand and a bud to open up to. For some reason there’s something memorable about a Buick-sized Devil and an amphibian man singing “Can’t Smile Without You” into a couple empty cold ones. These are the scenes that make it good to have him back, but next time let’s give him some more room to grow.
By Brian Mulligan at 3:41 PM 0 comments