Thursday, March 6, 2008

Best of 2007: The Year in Review

With the 80th Academy Awards ceremony now in the bag and No Country for Old Men proclaimed as the best picture of 2007, here is your chance to offer your own choices for the "Best of 2007."

The list can be as long as you'd like, but try to include at least your top 10 films of the year (this is “The Film Script’s” one diversion from our top 7 lists). Then after you list your top films of the year, you can also include honorable mentions, a list of films you missed that you would still like to catch up with, best performances and even worst of the year if you’d like. Anything really.

Personally I'm going to comment on the top ten individually and then maybe post my "'07 Misses" and "Best Performances" in the comments section, but it's up to you what you want to talk about and how you want to do it.

For now, let's put 2007 officially in the books...

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Well, before I even get into my own "Best of 2007" list, I'd like to publicly apologize to the filmmakers of '07. Early on in the year - for good reason I still say - I criticized the lack of quality films that had been released all the way up through June (this syndrome has already started to have a similar effect on me in 2008, with only a handful of releases this year even piquing my interest).

I understand that the serious Oscar contenders are usually reserved for late in the year, but still… I didn’t expect the season to be so outrageously back-loaded. Only 1 of the films on my Top 10 list was even released to a wide audience before August. This studio tactic really leaves you scrambling at the end of the year trying to catch up with all the quality releases before the Oscar telecast – and who wants to go into the Oscars not having seen most of the films up for nominations?

But that’s a different topic, now on with the list –


#10 Gone, Baby, Gone
Starting at 10 and working my way on down, Gone, Baby, Gone was the type of hard-boiled crime pic that I honestly didn’t think Ben Affleck had in him until the trailer debuted. And even that didn’t prepare me for the moral questions and resonance that you’re left with. Not flawless, but easily the best debut feature of the year.


#9 Juno
Juno meanwhile was probably the most purely enjoyable and ‘fun’ film all year (although there was a handful of other worthy choices too). After a rocky start, the film really blossoms into a wonderful story about coming to be the person you should be. Invitations to the Oscar party, at least for Best Picture, might have been a little much but it also doesn't deserve the backlash it's been receiving recently.


#8 Eastern Promises
Eastern Promises I might have marginally overrated upon my first viewing (I moved it down my list a notch or two when I had to finalize the placements), but it’s still a moody little movie that guts you… by sticking a knife in you and everyone else on screen. A rock-solid follow-up to A History of Violence. Keep Viggo and Cronenberg working together.


#7 I'm Not There
The film with the most experimental soul of the year, I’m Not There does a pitch perfect job of trying to portray a man that refused to be pinned down. It ranges all over the place and takes six actors to do the trick, but director Todd Haynes still manages to make it all seem so easy and seamless.


#6 The Bourne Ultimatum
The Bourne Ultimatum marked what was supposed to be the end of the Jason Bourne saga and it went out with a bang, sending up the previous pictures and continuing the razor sharp scriptwriting from Tony Gilroy. Rumors of a fourth Bourne feature have already started… and are welcome.


#5 Zodiac
Released so long ago that it was completely and unjustly overlooked by the Oscars, Zodiac has David Fincher back in the serial killer realm stubbornly refusing to follow any of the paths that he himself helped to establish in Se7en. The film is all dead ends and clues that lead no where… and somehow puts the audience into the same mindset as its protagonist.


#4 The Assassination of Jesse James by the Coward Robert Ford
At least Zodiac found a Fincher audience though, because The Assassination of Jesse James by the Coward Robert Ford was the best film that absolutely nobody saw, in spite of the presence of Brad Pitt as Jesse James. The melancholy nature of its storytelling and epic length surely had something to do with it, but this a lovely and beautiful film to watch unfold. And what’s so striking is that it’s a tragedy for every character involved.


#3 There Will Be Blood
Paul Thomas Anderson continues to amaze. In There Will Be Blood he throws out all of the stylistic choices he had previously relied on in films like Boogie Nights and Magnolia, instead going for a much sharper, direct tale of a greedy, sociopathic oil man. I’ve never seen a film that captures and exudes the personality of its main character more.


#2 No Country for Old Men
Another Coen Brothers’ masterpiece, and rightfully chosen as the Best Picture of 2007 from amongst the contenders, No Country for Old Men does a lot of the same things that Zodiac does, manipulating a proven, familiar story into something more. What elevates it towards being the best picture of the year, besides its brilliant acting and directing, is the lost soul embodied in Tommy Lee Jones character. It’s through him the Coens show the horrible, indefinable nature of evil in the world and make the point hit home.


#1 Into the Wild
Into the Wild. The best film of 2007. I’ve been praising it from the minute I walked out of the theater and haven’t stopped since (it’s also the movie I’ve passed along to friends more than any other to try to get the word of mouth spreading). In a year when there were so many dark and brooding films, it’s refreshing to see a movie that is so enthralling and life-affirming captured so well. It’s a film about the need for human interaction, about connections and friendship, about living your own way and finding your own path and director Sean Penn just portrays it perfectly. He captures not only the relationships and the scenery, but the spirit of Christopher McCandless’s journey. Easily my #1.

And the runners up that barely missed my list –

11. Knocked Up
12. Ratatouille
13. Superbad
14. The Lives of Others
15. No End in Sight
16. Death Proof
17. Once
18. Atonement
19. The King of Kong: A Fistful of Quarters
20. The Wind That Shakes the Barley
21. The Lookout

And the rest of the films I found worthwhile in 2007 –

B+
Breach, Lars and the Real Girl, Hot Fuzz, Talk to Me, Waitress, Before the Devil Knows You’re Dead, Grindhouse, The Hoax, Away From Her, The Darjeeling Limited, Rescue Dawn, Reign Over Me, 3:10 to Yuma, Control

B
Michael Clayton, Sweeney Todd: The Demon Barber of Fleet Street, Black Snake Moan, 28 Weeks Later…, The Savages, American Gangster, Reno 911! Miami, The Simpsons Movie, Stardust, I Am Legend, Mr. Brooks, Harry Potter and the Order of the Phoenix, Bug, Charlie Wilson’s War, The Namesake, Black Book, Wristcutters: A Love Story, In the Valley of Elah, Sicko, A Mighty Heart

B-
Sunshine, Walk Hard: The Dewey Cox Story, Alpha Dog, Lucky You, Ocean’s Thirteen, Margot at the Wedding, Live Free or Die Hard, I Want Someone to Eat Cheese With, First Snow, Persepolis, The Kingdom, Paris Je T’aime

4 comments:

chachiincharge said...

Top 10...um 11 of 2007

11. Gone Baby Gone- not perfect, but no film has stuck with me more in terms of the moral dilemma it ask us to participate in. Great performances and great dislogue only cement it as more than your average thriller.

10. Grindhouse- there was no more enjoyable and thrilling experience in theaters this year for me. Death Proof is definitely the better film here and would make my number 10 alone if I must split them, but Planet Terror was an absolute blast. Weinstein did nothing wrong in how they marketed it, the only thing they did wrong was not release them as a DVD combo. Audiences are just too narrow-minded nowadays and unfortunately it causes great experimental films like these to go unnoticed.

9. Into the Wild- Stunning film that doesn't portray McCandless as a brat or a hero, but as a lost soul who finds comfort and peace with everything unique about our world. Funny, poignant, and subtle considering it comes from Sean Penn. "Snubbed" is an understatement.

8. 4 Months, 3 Weeks, and 2 Days- told nearly in real time, we watch what seems to be the ordinary life of some Romanian girls in '87, only to discover we have watched events unfolding leading to an illegal abortion. The last 20 min. had me squirming in my seat wondering what was going on. The dinner scene is a brilliant one designed to put us in the character's shoes. Brilliant work here and certainly deserving of the Palme Dor.

7. Ratatouille- Brad Bird is the best man working in animation today. Three films, three classics. Here we get perhaps his best work. The film conveys the joy of food and cooking better than any other. Music and food each have their own "tune" that cause one to dance to a differrent rhythm. The moment Anton Ego eats the ratatouille is among the best of the year. It may have been belittling, but Peter O'Toole deserved an Oscar for his voice work here. Charming and sincere in all of its intentions.

6. The Diving Bell and the Butterfly- surrealism and reality merge in this film about a former editor-in-chief of French Elle, who suffers from locked-in syndrome, yet still "writes" his biography through blinking. Julian Schnabel wins Best Director in my opinion. We see "our eye being stitched from the inside! How the hell did he do that. Whimsical and tragic.

5. The Wind that Shakes the Barley- a tale of two brothers who fight for Irish freedom, only to fight against one another in the Irish Civil War. A beautiful story set against war with some amazing work from some newcomers. Cillian Murphy gives his best performance yet as the younger brother who has looked up to his older brother all his life, only to find themselves fighting one another. Sibling stories particularly speak to me, and throw in my Irish ancestry, and you got a stew that will captivate me like no other.

4. Zodiac- If anyone in the Academy saw this film, they should realize how you cannot escape it. This film demands a lot from you, and leaves you feeling cold inside. That is why it is absolutely brilliant. Madness and obsession have never been so palatable as we view decades of evidence as we try to solve this crime ourselves. Gyllenhaal does a good job of conveying the tolls that this serial killer's mind games has played on him. Fincher pulls back on the flash to create a realistic world that welcomes us, yet terrifies us.

3. No Country for Old Men- the Coens are back and better than ever. This cat and mouse game shows just how unsettling silence can be. Javier Bardem gives us the most memorable and terrifying villain since Hannibal Lecter. Josh Brolin and Tommy Lee Jones also give among their best performances all telling the tale that there is evil in this world that nobody can understand. In this day and age, where we want to understand our enemy and their motives, not being able to is among the scariest scenarios.

2. There Will Be Blood- damn PT is a genius. We all know that Daniel Day Lewis is a damn fine actor, but he reaches heights never seen with his performance here as Daniel Plainview. A smoldering, blistering, epic tale of one man's greed always further than his reach. Vast in scope, yet intimate in nature, no film gives you a bigger glass to drink from. Controversial, yet oh so memorable. From its brilliant silent opening to its crazy, maddening conclusion, this film will stick with you for days just like Johnny Greenwood's magnificent score.

1. Once- no film touched me emotional more than this film. It's that simple. In terms of scale, acting, direction,..there are better films, but none made me feel as good. This film shows what makes us as a species so great, connection. Much like Eternal Sunshine, we see two people in need of help and they find it among themselves. It is a pure love without sex or eroticism. One between a Guy and a Girl who need that push in the right direction, but no one is there to help. The music is the best of the year. Flat out. Glen Hansard and Marketa Irglova have as great a chemistry together as some of the greatest on-screen couples. I consider myself rather a cynical person who finds these tales fake and insincere. But if I aren't, they show just how wrong I can be about mankind and our intentions. I'm so glad I was proven wrong once again.

Some honorable mentions...Jesse James, Lookout, Away from Her, Knocked Up, Superbad, Lives of Others (which I considered a 2006 film), Black Snake Moan, Juno, Eastern Promises, Bug, Sunshine, I'm Not There, and Bourne Ultimatum.

Still haven't seen...La Vie En Rose, Savages, any of the documentary films nominated except for Sicko, nor any of the foreign films nominated.

Most Overrated...Atonement and Michael Clayton

Top 10 Worst of 2007

10. Spider-Man 3
9. The Brave One
8. Slow Burn
7. The Golden Compass
6. Rush Hour 3
5. Pirates 3
4. Margot at the Wedding
3. Halloween
2. Hannibal Rising
1. I Now Pronounce You Chuck and Larry

Some other terrible ones...Happily Never After, LAst Mimzy, Shrek 3, Good Luck Chuck, and Saw IV

Glad I didn't see...Norbit

Brian Mulligan said...

The Worst Movies of 2007
(That I've Seen)


10. August Rush
9. The Nanny Diaries
8. Hairspray
7. The Ex
6. Pirates of the Caribbean: At World's End
5. License to Wed
4. Premonition
3. Catch and Release
2. Evening
1. Because I Said So

Dishonorable mentions: Evan Almighty, Transformers, The Number 23, Shrek the Third, Across the Universe, I Now Pronounce You Chuck and Larry, Rush Hour 3, Ghost Rider, Rendition, No Reservations, Breaking and Entering, Blades of Glory, The Heartbreak Kid, Smokin' Aces, Shoot 'Em Up

And the one movie that was so bad that I couldn't even finish it... In the Land of Women

chachiincharge said...

Oh come on...Hairspray is infectious. How did you not like it? It has a sincere heart and that came through in the film. The cast was having a great time and so did I.

Catch and Release was certainly not good, but you have to admit that Kevin Smith was both funny and touching. Also the kid jumping on the fish had me laughing out loud.

Clearly I didn't bother researching the bad films as much because License to Wed, Ex, Across the Universe, Number 23 and Ghost Rider would probably have made my list too.

Also, I liked In The Land Of Woman. I remember it getting an F in EW, but also got praise if I recall on Ebert & Roeper, so I think that film had some particularly mixed reception.

Brian Mulligan said...

Before I get into anything else, let’s throw a couple more recent watches into the dredge that is the “Dishonorable Mentions” of 2007. Southland Tales and Feast of Love both managed to claim a place over this past week. Congratulations to the both of them.

Second, Ty, Catch and Release is pretty damned worthless. I’ll give you that Kevin Smith fishing in the street is the only thing I found entertaining in the whole film… but that was just a brutal sit. And I like Garner and Olyphant but they’re totally wasted. I have no second thoughts about its incredibly low placement on my list. Just trying to think back about how the film bent over backwards to make Garner and Olyphant’s “romance” seem appropriate in the wake of her fiance’s death makes me sick. Couple that with the fact that Olyphant was supposedly his ‘best friend’ and another one of their friends also admits to liking Garner after the fact? Then the ‘secret child’ bit? What? Ugh. I’m getting flashbacks I never wanted to experience again.

And I have even less second thoughts about the wildly over-praised Hairspray. After the opening number of “Good Morning, Baltimore” it becomes a laughably awful film… even removing all the pure racial tension that made the John Water’s picture interesting (and I am not one to usually defend a Waters film). The songs deteriorate into complete camp, which may have been the point but doesn’t make it any more fun to watch. Travolta was irritating, but I found that role annoying the first go-round so I wasn’t surprised. Christopher Walken looks like he’s playing the same role he did in Click. I don’t get it. This film got a 93% positive? Why?! Because it’s choreographed well and has a flashy color scheme? It took me a couple of attempts to even finish it, eventually I just decided… hey, apparently I’m the only one who doesn’t get this award winner(!) from the director of Bringing Down the House, The Pacifier and The Wedding Planner. Ick.

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